It reminds me of kids who only bothered to read the Cliffs Notes.

They come to class expecting you to take them seriously and all you want to do is throw them nasty glances for totally missing the point and insulting everyone who did do the assignment.

From the New Yorker, a cornucopia of broad and sweeping negative generalizations about YA lit. However, I was pleased to find John Green in the comments, responding to the following comment:

“Well, of course we do demand of “great” writers—literary-fiction writers—higher moral and philosophical stakes. Like I said, I think the Y.A. genre is typically defined by very straightforward moral messages.”

Lo! John Green speaks polite, quiet, thoughtful wisdom of someone who has done his goddamn homework, unlike the majority of people in the article.

This is just dead wrong, and has been wrong for at least a decade. I find it disappointing that our best critical readers have been so unwilling to read Y.A. fiction, presuming that one has to sacrifice moral ambiguity and philosophical complexity in order to reach the audience—which, frankly, is just not true.

Dude, the more he shares his opinions on literature the bigger my crush gets on him. STOP IT, JOHN. If you get any more awesome I might spontaneously explode.

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Review: Naomi and Ely’s No Kiss List by David Levithan and Rachel Cohn

Rachel Cohn and David Levithan team up again after their first successful collaboration, Nick and Norah’s Infinite Playlist. While the aforementioned title has many of the same elements, Naomi and Ely’s No Kiss List is a different kind of emotional journey between two teens. The dual narrators Infinite Playlist boasted make a return here in the form of multiple narrators with Cohn and Levithan switching off between perspectives, providing an in-depth look at Naomi and Ely from side characters.

Naomi and Ely grew up across the hall from each other in a New York City apartment complex. Best friends from childhood even after surviving tough problems within their families, Naomi loves Ely loves Naomi, with one catch—Naomi is also in love with Ely likes kissing boys way more than girls.

To protect their friendship, they create a No Kiss List, adding boys that meet both their taste to it so that any dramatic problems will be avoided. The story is titled for this list, even though what causes the rift in Naomi and Ely’s friendship, leading them both on a path to self-discovery is someone not on the list at all. It never occurred to Naomi to add Bruce the Second to the list so Ely wouldn’t kiss him.

After all, Bruce the Second is Naomi’s boyfriend.

The No Kiss List in the title and at the heart of this story at plays both a large and small role at once. The list works two ways; for Ely, its purpose is the put their friendship first by staying away from guys they might both like to prevent problems. For Naomi, its purpose is to keep boys Naomi thinks might take Ely away from her at a distance, to perpetuate the hope Naomi holds that one day Ely will love her back the same way she loves him. She doesn’t need the list to keep away guys for herself as Ely does, because for her, Ely is it, even as she strings along guy after guy waiting for Ely to finally realize that he loves her back—regardless of his sexuality.

This story, narrated by several characters, centers on friendship and romantic love and is played out between Naomi and Ely and their friends. There’s Bruce the First, with his impossible crush on Naomi, Ely’s love for Bruce the Second and the love he gets back, even though Bruce the Second didn’t think he was gay. Gabriel, the doorman of the apartment Naomi and Ely live in was on the No Kiss List, but once Ely has betrayed Naomi by kissing her boyfriend, does the No Kiss List even matter? Ultimately it becomes about how friendships and relationships are defined by different people, what lengths some people will go to place a friendship at the heart of their lives to the detriment of everything else and how they change as we grow. The idea of a friendship so close that romantic love is impossible—can a friendship like that survive as teens turn to adults?

Cohn and Levithan address how the concept of best friend that is forever and ever to the inclusion of other people and loves is inherently flawed. They take two teenagers and show how differently this question can be answered depending on perspectives, and tackle the sticky side of how trust in all relationship works and how badly those relationships can be broken if that trust is shaken. Although the book is about breaking up and making up, it’s also about being honest and open with everyone.

I’m just sort of feeling a happy glow. This is a book I would have wanted when I was a teenager—how to deal with loving friends who are gay and will never love you back the right way. It would have been so validating, why did the YA suck so much when I was a teen. Damn you, R.L. Stine! I’m starting to wonder if the gay boy/straight girl thing is going to become a trend—I’ve seen other books that follow the pattern. I spent most of the novel driven crazy by how much I loved the characters but how much I hated Naomi’s symbol habit as a code for her and Ely signing to one another. It works but damn if it doesn’t drive me up the wall. I found the title funny because it really has nothing to do with the novel after the few few chapters except as a reference to a friendship strained by Ely kissing Naomi’s boyfriend.

However, Orbit is not Juicy Fruit, cover guys! WHAT IS UP? Perhaps Orbit hasn’t reached critical cultural mass yet.

Back in April, there were rumors of a movie with Hayden Panettiere at the helm and Ely and Bruce the Second still uncast, leaving me unable to squee properly. I was nervous about it then and am also nervous now, and wonder if it’s still even a possibility. I don’t know how well Nick and Norah’s Infinite Playlist did in theaters and don’t rightly know if the success of that movie would stop this one from getting a green light, and I can’t tell if Panettiere is attached to the project anymore. Considering that her star might be dimming because Heroes has started to suck big balls, maybe I should stomp on my hopes and dreams. This is the one I would go to see because fuck, boys making out? ON A GIANT SCREEN? I would camp out for a triple feature, pay for three tickets and watch it over and over and over. I am that hard up for touching romance and hot boy-on-boy action and I am not afraid to say so.

Also, there is so much talk about cock in this book. HOW DID IT GET PUBLISHED. I am so jealous of teens these days, where were these things when I was a teen. *sobs into hands*

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Review: Lock and Key by Sarah Dessen

I have family issues, which is what drew me to add this book to my reading list. Ruby’s troubles, punctuated by being abandoned by her mother, only begin when she has to shift her entire life from her tiny house with its built-in independence to the house her estranged sister lives in with her husband. New school, new home, new people she doesn’t need, no way, no how, and there’s the fine print that she has to start considering other people’s feelings that she doesn’t notice until it’s too late. The latter was the only bit of subtlety that stayed relatively subtle (you know, how that subtle thing is supposed to go) and worked for me. This story should have been right up my alley. Abandonment is something I love to read about—the trials, learning to trust, recovery—but Lock and Key failed for me.

I’ve said it before and I’ll likely say it again that even bad Dessen is good Dessen, because I think she has an excellent ability to write teen girls as they are instead of writing teen girls that only exist on the surface. Ruby was interesting enough, but when I think back to her I remember nothing that makes her stand out. Ruby never made the jump for me. She was too empty. One thing I love about the narrators in Dessen’s books is that they have this identity that shapes how they handle their problems, but Ruby doesn’t have that for me. She’s a good person to travel through the story with, but what shocked me is that it felt like she was the boat for the reader to pass through the book on rather than someone fully formed the reader could travel with. Shockingly, for the first time I found the male leads more fleshed out and interesting than the main character—in other books I’ve had problems with vague love interests and perfection. That was an interesting change and while it gave me half of what I wanted, I missed connecting.

I’m at the point where I’m not sure it’s the books—I think it’s me. Just Listen is in the place for me and I keep going into Dessen’s work hoping to be blown away by everything in the book that’s not being said, because Just Listen did that so well. I think the points are too spelled out in Lock and Key. There’s no joy in the discovery of something just dropped into the text for the reader to find and discover. The path is laid out from the beginning of the story—I even predicted how it would end and this is petty of me, but it bothers me when I do that. I don’t like paint by numbers fiction; seriously, I’m not that clever. If I’m predicting endings, something is amiss!

It’s readable and intriguing enough to finish but the more Dessen I read that doesn’t employ all the great writing techniques that Just Listen had the more I think I won’t become one of the hardcore fangirls that I wanted to be because it sounded so awesome. Seriously, after Just Listen I was prepared to buy the concrete for the extra-super-size pedestal for her to stand on but I just haven’t been that overwhelmed by her other work. Lock and Key suffered from spelling shit out that didn’t need to be spelled out. This is probably just my persnickety requirement of all fiction needing to juggle chainsaws for me to be duly impressed.

Even then, the teen girls in Dessen’s work continue to shine brighter than a lot of the female characters I read elsewhere, so that’s a plus. Now if I could only get my fondest wish and have Dessen cross the streams into SF/F.

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goodbye to Paper Towns, hello to Twitter

The Paper Towns contest (in the entry above this) is almost over. I am pretty happy that people actually took part. Exciting! I think I owe most of this to Steph, who is awesome about spreading the word, so thanks to her.

I have acquired a twitter account specifically for this project at twitter.com/yafabulous. I’m not quite sure what I’ll post there yet. I have designs on including links to my personal reviews I do on my LJ, highlighting books and authors in my delicious archive that might otherwise get lost in the mix, and pointing out interesting discussions I might not add to the archive but that I still think deserve some attention. I will also natter a lot; I’m really good at tl;dr’ing for ever and ever.

I’ve also added a list of upcoming reviews/co-reviews to the sidebar. I didn’t realize I had so many going at once. Huh.

Now I am off to read more One Piece!

 
a reminder, a shamed return and rage (oh the rage)

I have not been bookmarking. I am very, very far behind (I have no clue how I am going to catch up! I won’t think of it for now). I also have not been reading. Poor, sad blog. Maybe now that the election is over and I’m not stalking FiveThirtyEight.com every five minutes, I can get back to things!

(Stupid, addicting election!)

The Paper Towns contest is still open and will be until the end of the month. Send your friends! I am very excited about it; I’m in the middle of a Paper Towns reread myself and I am feeling the warm glow of John Green love all over.

Meanwhile, I finished a book and wrote a review and that review was eaten. I am pretty upset over this, considering the review was 5,000 words long and I was very proud of it, critical as it was and the author has been waiting oh, a few months at this point for me to finish it. I am not making a good impression, but since losing it I have been dreading having to redo it. It means reading the book again; I don’t want to cheat the author. This is why the chorus about backing up work is important! Why didn’t I have the backup song stuck in my head. Why?

Oh well! At least when I publish it I’ll be able to promote all the other reviews I’ve been collecting of it and those reviews will get noticed and word will spread at least a little. There’s always a bright side!

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